A George III Mahogany Hall Chair.
English circa 1790.
The fluted roundel back on turned legs.
After a design by Thomas Chippendale.
Dimensions: 93cm (36 ½”) high; 45cm (17 ¾”) wide; 48cm (19”) deep.
A George III Library Armchair.
English circa 1800.
The ring-turned mahogany legs & raked back legs on gilt lacquer brass cup & box castors.
Re-upholstered in hand-stitched horsetail, covered in Swedish linen.
Dimensions: 94cm (37”) high; 69cm (27”) wide; 72cm (28 ½”) deep.
£6,800
A George III Library Armchair.
English circa 1800.
The ring-turned mahogany legs & raked back legs on gilt lacquer brass cup & box castors.
Re-upholstered in hand-stitched horsetail, covered in Swedish linen.
Dimensions: 94cm (37”) high; 69cm (27”) wide; 72cm (28 ½”) deep.
£6,800
The Tower of London & Traitors Gate.
English circa 1910.
A charming depiction of The Tower of London & Traitors Gate from the Thames.
Oil on canvas.
Dimensions: 46cm (18”) high; 61cm (24”) wide.
A Dog Painting.
English 1895.
Oil on canvas of a Jack Russell.
Indistinctly signed & dated.
Dimensions: 44.5cm (17.5") high; 60cm (23.5") wide; 1cm (0.4") deep.
An Early 19th Century Coastal Scene.
Swedish circa 1820.
A charming, highly impasto painting of a coastal town perched perilously close to ‘popcorn’ sea.
Original hand-painted frame. Later inscription on the reverse: ‘Tillhor Mary Hagglof, Karlavagen 91, Stokholm’.
Dimensions: 63.5cm (25”) high; 71cm (28”) wide.
A Study of a Chihuahua.
English 19th Century.
An affectionate study of a Chihuahua standing in a wooded landscape.
Oil on canvas, ebonised frame.
Dimensions: 43cm (17”) high; 54cm (21 ¼”) wide.
A Rare 16th Century Marriage Plaque.
English 1567.
Celebrating the marriage of Roger Bradshaigh to Jane Standish.
The arms of Bradshaigh & Standish.
Oil on oak board.
Original oak frame.
Dimensions: 36cm (14.25") high; 29cm (11.5") wide; 2cm (3/4") deep.
A Large 19th Century Benno Adam Dog Painting.
German circa 1860.
A full-length oil on canvas of a Leonberger.
Benno Adam (1812-1892) was an important animal painter born in Munich, he was associated with the Chiemsee School of Painters.
The son of Albrecht Adam (1786-1862) an important Bavarian artist who accompanied Napoleon Bonaparte as official artist on the 1812 Russian campaign.
Dimensions: 127cm (50") high; 109cm (43") wide.
A Naïve Oil on Board Study of a House & Garden.
English 1911.
A charming depiction of a country house in an elevated position framed by trees and a lake. Unusual flat perspective.
Signed ‘E.M.B. ’11’.
Dimensions: 26.5cm (10 ½”) high; 37cm (14 ½”) wide.
An Extremely Rare Early 19th Century Toll Gate Sign.
English circa 1800.
The ebonised panel with gilt prices for the Liskeard Turnpike, above a Royal Coat of Arms.
Dimensions: 106.5cm (42”) high; 57cm (22 ½”) wide.
A 19th Century Needlework Sampler.
English 1835.
"Time how short. Eternity how long. We all fade as a Flower."
Embroidered wool on woven linen. Initialled 'AP' and dated 1835.
Dimensions: 35cm (14") high; 50cm (20") wide.
A 17th Century Oil on Canvas Depicting Christ at the Column.
Spanish circa 1630.
A full-length portrait of Christ tethered to a post. The artist has flattened the space, reducing the figure to a minimum, using chiaroscuro to direct attention to crucial parts of the composition.
In a fruitwood frame.
Dimensions: 128.5cm (50.5") high; 88cm (34.5") wide.
An Early 19th Century Watercolour Painting of West Grinstead Park, Sussex.
English circa 1840.
A charming depiction of West Grinstead Park, the home of Walter Burrell (1777 – 1831), MP for Sussex. The castellated Gothic style house, designed by John Nash, sits in an elevated position framed by trees and deer.
Original water gilt frame.
Dimensions: 21cm (8.5") high; 27cm (10.5") wide.
An Early 19th Century Study of a Cow.
English, 1820, George Bailey Bawtry.
A Prize Short Horn Cow set within a wooded landscape.
Oil on canvas. Original birds-eye maple frame. Signed and dated to verso: 'Painted by George Bailey Bantry 1820'.
Dimensions: 60cm (23.5") high; 80cm (31.5") wide.
A 19th Century Oil Painting of a House on a Hill.
English circa 1830.
A picturesque scene of a stone house set within wooded grounds with figures and deer in the foreground.
Oil on canvas. Original gilt frame.
Dimensions: 51cm (20") high; 64cm (25") wide.
An 18th Century Watercolour of North Muskham House.
English circa 1795.
An unusual architectural study of a Palladian villa belonging to Joseph Pocklington, a wealthy eccentric whose amateur designs were described by William Wordsworth as "mere puerilities”... Please see our blog for more!
Inscribed: "North Muskham House near Newark, Nottinghamshire, belonging to Mr Joseph Pocklington of Barrow House near Heswick Cumberland. Foundation laid July 8 1793 by Mr JB."
Dimensions: 56cm (22") high; 69cm (27") wide.
A Coastal Scene of a House.
English circa 1790.
A unusual naive watercolour of a house set on a wooded peninsula, with two small rowing boats in the foreground and two ships in the distance.
In a period Hogarth frame.
Dimensions: 46cm (18") high; 61cm (24") wide.
An Early 19th Century Pencil Sketch of Hagley Park, Worcestershire.
English circa 1800.
A landscape depicting the Palladian country house set within a picturesque landscape showing an obelisk and temple. Label to the reverse reading: ‘…the seat of Lord Cobham in Worcestershire built for Lord George Lyttleton by Sanderson Miller'.
Exhibited: Covent Garden Gallery
Dimensions: 53cm (21") high; 70cm (27 ½”) wide.
A Large Early Photograph.
French circa 1860.
An intriguing early photograph of French colonialists in Vietnam amongst native workers.
In a later 1930's frame.
Dimensions: 69cm (27") high; 84cm (33") wide.
